How long will John Bryant's astounding error mess up readers of Melville's poetry?
Parthenope--All together now: “Accentuate the Antepenultimate”
In his
review of the Northwestern-Newberry Edition THE WRITINGS OF HERMAN MELVILLE in
the June 2019 LEVIATHAN on p. 110 John Bryant instructed his readers on basic
pronunciation:
"Parthenope (pronounced
PAR-thin-OH-pee) is now the newly sanctioned title for what we have in the past
referred to as Melville’s Burgundy Club Sketches.”
Yes, Parthenope
is Melville’s final title for the Gentian-Grandvin material, but Parthenope
is NOT to be pronounced PAR-thin-OH-pee.”
John
Walker in A Critical Pronouncing Dictionary, and Expositor of the English
Language (Philadelphia: E. H. Butler, 1848) has a section on Greek and Latin
Proper Names, p. 51. There he specifies which words are to be pronounced with
emphasis on the penultimate syllable and which are to be pronounced with the
emphasis on the ante-penultimate syllable. Walker says that classic Greek and
Roman APE and OPE endings are accented on the “Antepenultimate” syllable, and
he gives Calliope, Penelope, and Parthenope among the examples. That linguistic
phenomenon is exemplified in a good many poems in the 19th century that
mention Parthenope and violated in none.
HERE IS A MNEMONIC: ONLY A DOPE / SAYS PENELOPE.
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