MONSTROUS COMPOUNDS: GENRE AND VALUE IN HERMAN MELVILLE
DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jason L. Corner, M. A. The Ohio State University 2006 Dissertation
Approved by Professor Elizabeth Renker, Adviser
Many critics, including Leon Parker and Harrison Hayford, have produced convincing evidence that Melville’s intentions changed over the course of writing. The bulk of the evidence such critics cite suggests that Melville began with the intention of focusing the narrative entirely around Ishmael, and deciding in the process that Ahab would be
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