In 1989 while
staying with generous hosts on Park Avenue I worked methodically at the tasks I
had laid out for myself at the New York Public Library then yielded to
temptation, giving myself fifteen minutes to treasure-hunt in a folder with an
alluring title, “Undated Letters or
Unidentified Correspondents.” Soon I recognized familiar handwriting—what
has become known as Melville’s “D. D.” letter to Evert Duyckinck, in which he
declined to review a book. I asked for the head librarian at once, but I became
so nervous that I shakily rubbed her back as she leaned over to look at the
document. She took away the document and did not return, although she sent someone
out with a photocopy. Did she understand that I was trembling from excitement
at finding the letter? It did not matter that the letter was of no great obvious
importance—what mattered was the way a few minutes of self-indulgent kicking
over the traces had paid off, for once.
Still febrile, I
shared the new letter with my hosts but did not report to them the
phantasmagorical nature of my walk in Manhattan that night. Two Costner
brothers from northern Mississippi, sons of a Confederate soldier who had
gotten as far north as Gettysburg, had homesteaded near Guymon in the panhandle
of Oklahoma Territory, my grandfather Edgar Lugene and his older brother Moses
Amariah (Uncle Mode, in my mother’s stories). My mother was born there, in O.
T. Now near my hosts’ apartment one of Uncle Mode’s great-grandsons, Kevin
Costner, stood on a billboard, looking down, his left jeans-clad leg straight,
the right crossed over it at the shin. Who was living a fantasy? There was my 2nd
cousin Bill’s son on the billboard for a new baseball movie, after Bull Durham, and here was I with a newly
discovered Melville letter I had found by asking with reckless abandon for a
folder of “Undated Letters or Unidentified
Correspondents.” Was this Guymon, O.T., or Gotham, N.Y.? Now, 33 years later, with a Zio Patch taped to
my chest and the pulse dropping erratically down to 30 per minute, I am
enthralled by Ron Shelton’s The Church of
Baseball, a gift from Paul Seydor, a copy Ron Shelton had held as he
inscribed it to me. Michael Sragow, Douglass K. Daniel, and many other
reviewers understood its value. A Chicago reviewer calls it a “casual” book.
What was he reading? This is a masterwork about creativity.
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