Very curious to me that Biblical scholars, Medieval scholars, Renaissance scholars, and (jumping) scholars of modern British fiction have been open to my ideas when too many of the American critics have merely been defensive.
Jennifer
A. Low and Nova Myhill, eds., Imagining
the Audience in Early Modern Drama (London: Palgrave Macmillan, 2011), a
chapter by Jeremy Lopez, “Fitzgrave’s Jewel: Audience and Anticlimax in
Middleton and Shakespeare” (p. 204):
“Parker’s book [FLAWED TEXTS AND VERBAL ICONS] is about the relationship
between textual variation and critical interpretation in American literature,
but his method and his conclusions—particularly chapter 2, ‘The Determinacy of
the Creative Process’—have been very influential for my thinking in this essay and
are pertinent to the study of early modern drama in a way few critics have
recognized.”
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