Melville Biography: An Inside Narrative
Northwestern University Press | Hardcover
There is a fourth part to
the book that may interest anyone concerned with biography in general,
not just Melville biography. The endnotes constitute a symposium in
which views of many biographers, most often British, are tested against
Parker's experiences with Melville. Topics include theories which relate
biography to fiction, invasions of privacy by biographers, the idea
that the biographer enacts a kind of countertransference, the
recklessness of the "Brainstorm" site of the Chronicle of Higher Education,the
problem of gaps in evidence, the constrictive power of prior knowledge,
the importance of working in small "time-spans," the New Critical faith
in the sanctity of texts, the folly of seizing on one determinative
turning-point, the redefining of archives out of existence, the question
of suitable tone and language, strategies for not confusing fiction
with autobiography, the occasional necessity to make "exposition
simulate narrative," the serendipitous finding something significant
while looking for something else, the seeming "fact" which undercuts an
elaborate theory, the specter of the rival biographer, the group therapy
that occurs when biographers talk about reviewers, the folly of seeking
the "essence" of one's subject. By listening to the voices of dozens of
biographers excitedly describing their working methods, their
obstacles, and their triumphs, Parker makes his inside narrative an
essential resource for biographers and students of biography. The Index is a full, meticulous guide to the players in Melville biography and the issues that have dominated Melville biography. Recently some prominent academic presses have stopped including names and concepts in Endnotes in the index, but MELVILLE BIOGRAPHY: AN INSIDE NARRATIVE very carefully includes both sorts of referrences in the index so that skirmishes and bloody battles among biographers of Melville and other writers are highlighted along with areas of agreement. Even for readers not especially interested in Melville or Melville biography the endnotes constitute a fascinating, accessible guide to what has been going on in the theory and practice of biography in the last half century and more. | ||||
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