ES REVIEW. SPANISH JOURNAL OF ENGLISH STUDIES 44 (2023): 35–56
ISSN 2531-1654
“The Sin Eaters” by Sherman Alexie: A Dystopian Island
in a Mostly Auspicious Archipelago
“The Sin Eaters” de Sherman Alexie: Una isla distópica
en un archipiélago más prometedor
In the opening chapter of his book Flawed Texts and Verbal Icons
(1984), renowned textual critic Hershel Parker maintains that although “all
authority in literature comes from the author, . . . that authority can be
blurred or wholly lost and, paradoxically, it can persist even when the
author thinks it has been removed” (16). Parker’s point is basically that
different kinds of “accidents” may happen between the moment the text
was first written and when it finally sees the public light that will somehow
transform the intended meanings in the original work (Parker 3). These so-
called “accidents” may typically be due to the type of expurgations or
revisions that authors and editors are likely to incorporate to the original
manuscripts; however, as this specialist admits, these changes may also
happen because of format, generic or contextual transformations that will
inevitably affect the relation of readers to texts. In this regard, it is fairly
evident that “The Sin Eaters” shifting position from being the skeleton of
a longer work of fiction to becoming a chapter in a short story collection
has had important consequences for how the readership of the work has
experienced and interpreted the text.
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